As it turns out, I do NOT have enough fabric

This is what my sewing room looked like last weekend after I trashed it trying to pull enough fabrics for a new project.

I feel like I have a lot of fabric.  The design wall in the corner of the picture is hung on the back of a row of IKEA bookshelves which are full of fabric, and fabric has spilled over onto other shelves and into containers on the floor. Admittedly a lot of it is rather elderly, much of it dating back to some quilting holidays in America in the late 90s and early noughties. 

So you would think I wouldn't have a lot of trouble pulling fabric together for a new project, which is a free quilt pattern called 'Let's Bake' by Lori Holt.  She hosted free tutorials on her website a while back and I kept up with them, and there is a Let's Bake Sew Along Guide which contains the cutting instructions and fabric list.  Her finished quilt looks like this:



I thought it was quite cute so I saved the pattern for my queue.  Having recently completed the top for the 30s Sampler, it seemed like a good time to tackle this pattern in similar fabric colours because I had my 30s fabrics to hand.

Now I had not reckoned with the marketing juggernaught driving this pattern line.  The entire pattern is presented on the basis that you will buy all of the designer's fabrics, make the applique shapes using the designer's packaged plastic templates and sew with them with the designer-brand interfacing, then embroider said shapes with the designer-brand thread, before assembling your quilt and finishing it with the designer-brand trim.  Trying to work out how to make the quilt without buying any of that has proved quite a challenge.  The Sew Along Guide has thumbnails of all the fabric, and there is a LOT of fabric: 54 fabrics in total. Presumably to work in a bit of all the designer's fabric lines?  My printed copy of the guide (thank you office laser printer) isn't very true to colour but I did my best to work my way through the fabric list and pull suitable fabrics from my stash.

I thought I had a lot of these bubblegum colours in my stash.  Well I can tell you now that I do not have nearly enough for 54 variations.  Even resorting to stealing fabrics from wildly different stashes like my Edyta Sitar fabrics, an American Jane jelly roll, a couple of other Moda jelly rolls, my fat quarter stash pile and some of the elderly fabric buys, I still have had to double up on a few fabrics.  In particular, I do not have the lovely aqua blues that she used.  I did manage to pull together some painter-blues. In general, I think my fabrics are going to be a bit darker in value.  We'll see how it goes.

So having trashed the sewing room and having spent almost two hours re-folding and putting fabric away, I started cutting.  Each of the 54 fabrics has a specified cutting list, sometimes just a couple of pieces, sometimes half a dozen.  I have now put in about four hours on cutting and I'm still only just over half way.  It's slow as you can't batch cut, each fabric has to be individually unfolded, pressed, then cut out the specified shapes, then add each shape to a separate labelled baggie (mixer, flour sifter, cookie sheet etc).  I will eventually have cut little kits for each applique motif on the quilt.

The next challenge will be drawing out the applique shapes without owning the designer's plastic templates.  The sewing guide does show the shapes as small thumbnails, so I will just have to work out the easiest way to scale them up to the specified size.

Eventually I will get to sew something.

You can appreciate that I haven't done a lot else this week.  I've been pricking out a lace pattern ready for an upcoming lace day, knitting on a chunky jacket, crocheting a bit on the crochet granny square afghan, and continuing the handquilting on the 25 block applique quilt (very slow progress).  I haven't been doing much commuter knitting lately as I am mostly using commute time to study Japanese now that my course has started again.

Are you tackling any gargantuan projects?

I'm a quitter

I found that headline very hard to type, despite the fact that I am trying to celebrate a maturity level  which allows me to be a quitter. I was raised to believe that quitting was failing and that you could do almost anything you set your mind to if you tried hard enough and really wanted to achieve it.  Consequently I have spent a lot of my earlier craft life finishing things simply because I had started them, even if subsequently discovering that I didn't like them, or didn't enjoy doing them,  I heard a podcaster explaining the 'sunk cost fallacy' once, which states that people demonstrate "a greater tendency to continue an endeavour once an investment in money, effort, or time has been made." Once I have committed to a project, for example by spending money on the fabric/book and toting it home from foreign parts, it claims a permanent slot in my queue and a permanent claim on my future time.

As a supposedly mature adult, and in particular one faced with creeping decrepitude/diminishing energy levels, I am trying to combat this thinking.  Fresh on the heels of throwing out the horrible cross-stitch kit last week, I have now unravelled the 5/8th finished Misty Meadows Shawl, and the reskeined yarn is currently soaking in a hot water bath to remove the kinks ready for re-use.    It was this one if you've forgotten:

I had knit the cable section past the halfway point and decreased down ready to knit the next stripe.  I haven't enjoyed knitting with this yarn which is West Yorkshire Spinners Signature 4 ply, it feels thin and a bit scratchy and it is splitty to knit with.  The pattern is not well written either.  And when I tried the shawl on after reaching the next stripe, I realised that it looked very unattractive when worn.  The horizontal cable section across the back gave the impression of some sort of carapace or knitted armour, and the stripes were just not attractive at all.  So out it has all come, and I think the yarn may face a future as a pair of socks instead.  So hurrah for being a quitter!!

I have also been a finisher this week, completing the top for my 30s Sampler Quilt at long last!

I'm quite pleased with how it's turned out.  The different widths of the top and side coping strips are not obvious at all, the scrappy quality of the border balances out the scrappy middle in a different way than a solid border would have done, and the whole feeling is cheery and retro.  Also it easily fits on my queen-size bed as a topper so I'll be able to use the quilt.  I just need to choose a backing and cut the binding strips and then it can join the queue for future quilting.  Ironically however, although this project was chosen to reduce my stash of ancient 30 repro fabrics, I've actually probably increased said stash by at least a third as I had to buy more solid colours and then there were the three abortive attempts at buying a border print fabric. Sigh.

I also tried something new this week. When we were up in Nottingham for the lace weekend, we visited a bonsai nursery out of curiosity.  We had both enjoyed visiting the bonsai village when we were in Tokyo and seeing all the amazing living creations.  I found out they did day courses to get people started so I signed up for one of those and went on it this week.  It was a fascinating insight into the hobby although rather long winded on listening and short on actual practice.  But we did practice repotting a Chinese Elm bonsai from China, and then in the afternoon did a full conversion of a garden nursery Cypress shrub into a bonsai, including wiring the branches to shape it.  So mine went from this:

To this:

With the teacher's help, we thinned out the tree and wired it to shape it so that it looks like a miniature mature tree.  The wire will come off when it grows a little but hopefully it will have been trained to stay in that shape by then.  Looking after it will give me a taste of what it's like to have bonsai, it's a bit like getting a new pet as they have to watered almost daily and trimmed and maintained several times a year. But at least it is not going to sneak into my sewing room and make a bed in my fabric like some cats we might know.

The work reorganisation I mentioned some time ago has gone ahead and my team was officially disbanded on Friday.  We have been dispersed to other teams around the building and I start with my new team tomorrow.  They seem like they will be alright but my first reaction is always going to be "I hate all of you and I hate everything you do differently from what I'm used to."  It took me months to get used to my old team and will probably take me months to get used to this one before everyone stops annoying me.  At least I have three other people from my old team who are moving with me so I'm not completely isolated. Hopefully the things the new team are doing which seem stupid and inefficient will become familiar routines. Bleah.

The heat is on

Autumn is definitely here, and the house is starting to feel chilly in the mornings and evenings so we are putting the heating on for short intervals. It would get too hot (and too expensive) to have it on all the time as yet.  My walk to the station in the morning has transitioned in temperature from my late summer coat to my autumn warm coat, and the winter coats are waiting in the wings.  Hand knitted hats and gloves are also back on the equipment list.

I even bought a couple of early Christmas decorations at Matalan (shock, horror! I haven't even put up any Hallowe'en decorations yet!). So it seems fitting that I finished the Christmas House cross stitch, stretching the stitching over a bit of mat board cut to fit the frame and finishing the back with felt. It's quite cute, I'm pleased with how it turned out.

I wanted to get the next project in the cross stitch queue ready for stitching and chose a kit I picked up on a long ago American trip. It was a pre-printed canvas printed with Monet's Japanese bridge at Giverny, which you are meant to embellish with cross stitch to highlight various details. To cut a long story short, I ended up throwing it all out (what the gaming world calls 'rage quitting'). The threads were in pre-cut lengths tied in one big loose knot, and I spent well over an hour peering at them in good daylight trying fruitlessly to determine which of the many greens and blues matched the lengthy colour chart in the kit.  No matter what combination I tried, the number of strands would not match the stated number of strands for each colour, and there also seemed to be a couple of colours missing.  The greens were the worst, there were about 8 or 9 of them, all with stupid names that bore little resemblance to the actual colours, and some of them virtually identical. I became more and more frustrated trying to decide which was 'dark blue-green' versus 'dark green-blue' and trying to arrange a set of five corresponding to very light yellow green/light yellow green/yellow green/dark yellow green etc. etc.  I resorted to comparing the complicated chart to the printed picture, trying to decide which greens seemed darker or bluer than the others.  After about 90 minutes of this I realised I hated the whole project, was not going to enjoy the random counted chart since few blocks of colour adjoined, and the pre-printed colour panel was quite crudely done. When I looked online, there were other reviewers complaining about similar issues.  I decided life was too short, it hadn't cost too much back in the day, so into the bin it all went.  Result! Queue instantly shorter.  I am viewing this as a sign of maturity, in my younger days I would have finished it regardless of whether it was a good use of my time.

I stuffed and assembled the felt doll that I stitched a few weeks ago, and added the doll hair that I bought in St Ives last weekend.  She is looking cute, now to make her some clothes.

I've done a fair bit of sewing this weekend.  Having given up on finding a fabric to make a solid border for my 30s Sampler quilt, I looked around online for ideas and eventually found this tutorial for a scrappy wedge border. I had to get DS to help me with the math to calculate how many wedges I needed and how wide the coping strips around the centre should be.  I've got as far as piecing the main border strips so far and I think it looks good. Much more interesting than a piano keys style border. Apart from the math, it's easy enough to make and looks much more complicated that it is really.

Chain piecing the wedges:

This week I finally started a project I've been meaning to tackle for a while, which is another Japanese applique from the quilting books I bought in Japan.  I worked out a pattern to fit a snap purse frame that I have (which took three mock-ups before I got something I was happy with, the geometry of a purse frame bag is weird) and I'm appliqueing a group of flowers from the book on each side panel using fabrics I bought in Japan. This is the first time I've ever used my Hemline heat transfer pencil. It worked great on the first panel, but managed to smear on this second panel so there is a lot of faint pink showing outside of the applique which I'm hoping I will be able to remove somehow although it is meant to be permanent.

I've started machine knitting a fair isle mitten using the same pattern that I tested last month in acrylic, but this time using wool and a punchcard pattern. It's looking nice but so tedious to do because of having to continually stop knitting and do the thumb increases every couple of rows. I shall persevere.  I've also started pricking a new bobbin lace pattern for a butterfly mat and winding bobbins for it. I find pricking really difficult as it hurts my hand to hold the pricker for so long and photocopies often have random specks on them which may or may not be pinholes. So I have to do it in stages to give my hand time to rest.

We spent some time tidying the garden last Sunday and found TWO pigeon corpses, one is presumably Chompy and the other must be the next earthbound visitor.  A few days later DH found yet another pigeon corpse in the front garden. This is all very strange and not something we've had happen before in the five years we've lived here. I hope it stops soon.

We're in the wrong guidebook

 We are starting to wonder if our garden features in some sort of travel guidebook for pigeons, as we have hosted no fewer than three non-flying pigeons in the last couple of weeks.  DH has suggested the book must be called 'Places to go and die'.  The first visitor was an incredibly bloated bird, who landed on our bird feeder then sort of fell off into the garden.  He couldn't fly and spent the rest of the day creeping around before finally crawling into a drain pit under the downpipe where he died overnight.  The second one may have hit a window as DH heard a bang. We found it in the same alley down the side of the house, shuffling around.  It seemed pretty perky but couldn't fly and when it lifted its wing, it appeared something had taken a chomp out of its side, perhaps while unconscious?  Curiously enough our cat won't go anywhere near any of these birds.  The second one wandered around for a few days and started making forays out into the garden and we haven't seen him for a while.  The third one arrived (or was noticed) a few days ago.  A much bigger bird than Chompy, it seems quite perky and active but can't fly, so it is spending its time wandering around the garden and is currently sitting on the lawn in the sun. It's like having a pet pigeon. Either that or Chompy has grown a lot bigger in a few days. I don't know what is causing this strange phenomenon. I wondered if someone in the area has put out some kind of poison but I don't know what would make a bird unable to fly but otherwise apparently fine.

I finished off the London hexagons top this week complete with borders, and sewed up the backing and cut binding strips before moving it to the queue corner to await future quilting.  This was the first time I had really used the built in dual feed on my new Janome MC8200QCP, having been a bit scared of it to begin with.  It's a bit fiddly to get the special foot onto the machine and engaged with the drive unit, but once on it worked brilliantly. I sewed multiple long strips for the triple border, with absolutely no movement of the layers, so I was quite pleased with that.  DH is pleased with how the quilt has turned out.  It's actually come out bigger than I expected, somewhat drowning this double-sized bed. It feels satisfying to complete a relatively 'quick' quilt.

I used up some leave this week by taking an extra day off. I used some of my extra time to sew a zip-up tray pouch using the fabric I bought in St Ives last weekend.  I reverse engineered this by looking at pictures of a larger version online which is a commercial pattern by Aneela Hoey. I worked out my own smaller version which I am going to use to hold my hand quilting supplies for my frame quilting.  Mine isn't perfect but fairly close to the original and it pops out into a useful tray just like it's meant to.  You can see a working version of her original pattern in this video.

I finished stitching  my Christmas house cross-stitch!  Just need to tidy it up and get it into the frame now.  In the original Bucilla kit, they just paint the house frame a solid red which I've always felt detracted from the cross stitch.  I had a rummage in my dollshouse supply stash and found some excellent brick and roof tile paper which I think my friend Anita gave me when she was de-stashing.  It took a bit of careful cutting to fit around all the uprights but I'm pleased with the end result and I think it will make the stitching pop more.

I also finished the all-in-one knitted teddy bear this week.  He's come out fairly well, just a bit of a counting error on his nose which resulted in a line of decreases being slightly to one side but it doesn't affect the shape of the nose and isn't obvious to a non knitter.  I used safety eyes and knit him a little green scarf to set him off.  I shall take him to machine knitting club next month to show to the woman who gave me the pattern.  As you can see, our cat is absolutely thrilled with it (not).

This weekend I went to a Quilters' Guild Area Day here in Northamptonshire, a first for me.  I  picked up the Northamptonshire leaflet at the Festival of Quilts and noticed there was an Area Day so decided to give it a try. My experience of the Guild a few decades ago was not positive but I've been told that there is a younger friendlier generation running it now.  I wasn't sure what to expect but I think subconsciously I was expecting it to be like a Lace Day, however the uncomfortable seats were laid out theatre-style and the emphasis was very much on listening to the two speakers and not on doing handwork or making conversation.  Poppy Patch were there as traders, there was a bring & buy and a raffle, and the ticket included tea and cake.  I took along a fat bag of fabric for the bring and buy, mostly inherited panels and home dec fabric that I was never going to use, so hopefully they found good new homes.

The speakers were Greta Fitchett in the morning, an artist who scrapbooks and journal quilts her way around multiple travel destinations every year, and draws on those inspirations to make larger art quilts. And in the afternoon it was Julia Gahagan who specialises in miniature quilts and in particular on a type of glued on applique covered in soft tulle then machine quilted. While neither were brilliant speakers, they were both interesting and it's always intriguing to hear about someone else's artistic process.  Julia had some cute designs and also some finished work for sale.  I bought this miniature crazy quilt from her because I really liked the Victorian styling and colours. I plan to hang it in the bedroom.

I bought some Halloween fabric off the bring and buy table and won a bag pattern in the raffle.

In the morning I was stitching together a felt doll after making an impulse buy of this cute book from The Works a few weeks ago.  In the afternoon I was knitting.

In the lunch break I walked over to the nearby Poppy Patch quilt shop to peruse their offerings, and came away with this Lynette Anderson pattern.  I've been tempted by their Japanese aesthetic before but never bought one as the patterns are so expensive, but I decided to take the plunge on a small item to see if  I like it. I didn't actually realise the beehive was punchneedle until I read the instructions, I shall substitute applique.

I've picked most of the apples off our tree now and have started making pies and applesauce.  It hasn't done very well this year, having a bad case of apple scab and a lot of the apples never grew very big.  Hopefully it won't rain tomorrow as I need to do a fair bit of hacking back and tidying up out in the garden.

As I was going to St Ives

I had a fun day out yesterday with three of my bobbin lace self-help group members.  We travelled east to the town of St Ives in Cambridgeshire to visit the Fenlander's Lace Group Exhibition at the Norris Museum in St Ives.  A small but perfectly formed exhibition, very professionally mounted and with excellent signage. I wonder if someone professionally skilled in museum work or communications was involved? It was only one room but we still spent almost 40 minutes exclaiming and discovering things we hadn 't noticed first time round.  There was a wide range of types of lace and the exhibit labels often said what thread was used and where the pattern was from.  Some very high standards of lace as well as some that we felt we might achieve some day.  I was attracted particularly to some attractive modern examples of Flanders lace, a lace I've never tried. It was all very impressive, they must be a very inspiring lace group to belong to.

After a fortifying cup of tea, we crossed the road to head into town and immediately stumbled across a great quilting/sewing shop called Escape and Create.  A good size by British standards with more fabric upstairs, they had so many lovely fabrics that I was tempted off the wagon and ended up at the cutting counter with a few finds.

a future bag with lining?

Two christmas fabrics

As we headed further along the road, we found another craft/haberdashery shop, Star Dancewear and Crafts that had yarn (I bought some bulky yarn for use as doll hair) while across the road there was a good old-fashioned toy shop that had quite a range of cheaper dollshouse furniture and accessories (I did not buy anything).  Coupled with all the lovely old buildings, the farmers market that was going on in the marketplace, the live jazz band playing in the sun on the river bank, and quite a good pub lunch, I have decided (and informed DH) that we should probably retire here!  DH said it will probably all be under water soon being fenland, the way things are going with climate change.

Last weekend I took some time out from the quilting queue to do a little fun project, which is a tiny little snap purse kit that I bought at the St Marie aux Mines quilt show in Alsace a few years ago.  It's made from two yo-yos sewn together then sewn into a tiny keychain purse frame.  You hide the frame stitches on the inside with ric-rac. Very cute, although not incredibly useful. I suppose you could keep a few coins in it, or a thimble perhaps?

On my day off, I persevered and got the rest of the hexagon blocks for the London hexagon quilt sewn and trimmed.  Predictably I had not calculated the right number of background triangles and had to cut a lot more, luckily I had enough fabric.  As the quilt may end up going to DH, I suggested he might want to design the quilt layout himself.  He was a bit taken aback but set to and laid out all the blocks in 13 rows of 9 or 10 blocks each.  He's done a good job of distributing the lighter value blocks. There are some juxtapositions that I might have changed if I were doing it, but I let it be as it is his design.  Now I've started sewing the rows together.

I sewed the buttons on my leaf yoke jumper but haven't worn it yet as the weather has stayed warm..  The last few weeks I've been knitting on a curious teddy bear pattern that someone at my machine knitting club gave me after I admired the example she was knitting.  It is knit all in one piece, with no seams to sew apart from the final gusset between the legs.  All the shaping is done as you knit, and you leave stitches on waste yarn for the limbs, picking them up and knitting onwards in turn.  The pattern is all written out with no pictures or diagrams, so it has been quite a challenge for me since I can't count.  For example I managed to get the short rows on one arm reversed so that his arm was curving to the back like a dolphin so that had to get unravelled. I also had to order another ball of yarn since he has come out much bigger than I expected and I had used up an entire 50g ball of DK yarn before finishing the second leg or arms.  But he is finally all knit now and I have started stuffing him last night.  I did his head first so that I could check the eye placement and embroider his nose/mouth.  Getting the facial features right on toys is so critical, the tiniest adjustments completely change their character.  I'm not unhappy so far although I wonder if I should have used dark brown instead of black yarn.  The eyes are safety eyes.  He is designed so that he will be in a sitting posture.  I plan to take lots of pictures to attach to the pattern in case I ever want to knit him again!  Whoever designed him is obviously a knitting genius.

I picked up my Christmas House cross stitch this week and made a push to get going on the final attic room.  It will be nice if I can get it all finished and into its house frame in time for christmas.  I was quite tempted by some attractive Advent panels at the fabric shop yesterday but I really do not need any more advent calendars as we already have at least five of them.  Are you doing any Christmas stitching?

The 1:1 house requiring attention

Haven't done anything on the Japanese dollshouse this week but we have spent a fair amount of time on the 1:1 real house this weekend.  Ever since we touched up the ground floor window sill paint earlier in the summer, I've had on my To-Do list to check the other windowsills that we can reach with our ladder, which is basically up to the floor above the garden.  The windows on the two floors above that are just going to have to fend for themselves as we are not acrobats.  We are having a belated spell of sunny weather now so yesterday morning we got out the ladder and started inspecting window frames.  As well as finding several that had flaking paint and dodgy sealant, we found two that had rot on the bottom bar.  One had just a little bit of rot, about the length and depth of a sausage.  The rot on the other window was pretty extensive, to the depth of about 1 inch and eroding the whole of the right corner profile of the bottom of that frame.  So lots of sanding and scraping and a trip to the DIY store to get some wood hardener and outdoor epoxy filler, building up the excavated and hardened rotten areas with the filler, sanding down the filler, and then spot priming everything.  Today we have made the circuit with the ladder again, applying the first coat of gloss.  DH moves and holds the ladder, I go up with the paintbrush (I only dripped a little on his head, he didn't complain although he did object when I stood on his fingers a couple of times).  One more coat of gloss tomorrow before work and then next weekend we can re-seal all the gaps we can reach.

I've called time on the One Block Wonder beach panel quilt.  I experimented with making some hexagons out of the sky-cloud border fabric to help break up the edge where the panel hexagons meet the border.  They didn't look good right next to the panel hexagons because the fabric is noticeably different.  So I've floated several of them off about an inch from the main panel hexagons.  I don't love it but it looks subtly better than having just the hard edge.  Then I pieced a backing and cut binding strips and moved it all to a hanger in the quilt hibernation corner where tops stay for a few years until the next time I get my quilt frame set up.

I've done some work on the London hexagon quilt.  I sewed a few test blocks to see how big I need to cut the corner triangles that create the secondary star pattern.

Then I cut what I hope is 246 LH triangles and 246 RH triangles, and today I chain pieced about 115 triangles on to one corner of most of the 123 hexagons I need for the quilt.  Not very interesting sewing but has to be done.  The fun part will be arranging the layout once all the blocks are done.

I've done several stints on hand quilting the 25 block applique quilt and have slowly made my way along one edge heading towards the opposite corner, just stitching from about as far as I can comfortably reach with my arm towards the bottom edge.

 I've tried several different thimbles underneath, currently my best bet seems to be a ceramic thimble like Yoko Saito uses in this video although I am still getting used to it.  I'm trying to get my stitches a more consistent size but it's difficult. For one thing, even with reading glasses on and all the light I can shine on the quilt, I still can't see the white thread on the white background nearly as clearly as it shows up in this photograph.

I've had a bit of an annoying and exasperating discovery this week.  I finished at long last my Leaf Yoke Sweater which I started almost three years ago, and I was sitting in front of the computer next to a sunny window while I darned the ends in.  That's when I realised that there were stripes of a different coloured yarn here and there in the jumper!  Somehow I seemed to have mixed in a few balls of a different red, I'm not sure whether it is a different dye lot (which seems unlikely because I always try to buy all the same dye lot).  I think what may have happened is that perhaps I bought some more of the same yarn Drops Karisma for a different project because I found some leftover balls that are a normal wool and and another ball band that says superwash.  Obviously over the three years as I ran out of yarn in the not well-lit living room where I do most of my knitting, I was running upstairs and grabbing what I thought was more balls of sweater yarn but wasn't.  So from a distance it looks okay, but a bit closer in a good light and you can see the stripes.

I tried to photograph the stripes but the camera can't really pick up the colour difference, you can see it barely in this photo, it's much more obvious in real life. Grrrrr.

I can't do any kind of repair job as part of one fat stripe runs through the lace yoke.  I think I'm going to have to try to view it as a design feature and a learning point to more clearly label my yarn bags in future.  I still need to sew the buttons on. It fits pretty well, as usual the knitting loosened up considerably when wet blocked and I put in some fabric conditioner to tone down the scratch factor which has helped. I would have liked to have the lace block a bit flatter but it's difficult when it's all part of a garment so you can't pin it out easily like you can with a lace shawl.

I went along to my lace group yesterday and did some more work on my Bucks Point edging.  I think I am going to park Floral Bucks lace until I retire.  I'm just not able to progress with the limited amount of time I have been giving it.  I will have to think if I keep the two pillows and bobbins tied up that long, or (more likely) if I cut the lace off to put in my sample book then try again in a few years.

Quilt time again

Suddenly it seems to be autumn, and last night I was so cold in bed that I got up and retrieved a quilt from the display stand in the hallway for some extra warmth.  It's not cold enough to put the heat on yet, but it's nice to have a handmade quilt back on the bed again.

I went through the leftover hexagons from my One Block Wonder quilt and decided to add one more row of hexagons where the beach path spills out onto the border.  So I've seamed the extra row together and today turned under the edges and glued it into place on the top ready for appliquing by machine.  It's a bit of a bodge as I am appliqueing it right next to the previous applique rather than trying to take everything apart and seam the hexagons to the prior hexagon rows, but it will look fine once it's done.  I would like to add some more hexagons to break up the 'sky' border but I don't have anything left that would suit.  I might see if I can cut six repeats out of the border fabric to see what hexagons made from it would look like.  I'd like to get the top done so I can move on to another project.  I've pulled out some London-themed fabrics I bought several years ago (when we lived closer to London) and cut one-piece hexagons out of those in preparation for a pattern I found on the internet.  It might be another quilt for DH if he likes it when it's done.  I'm still handquilting on the 25 block applique quilt, I've been experimenting with various Clover thimbles for my underneath finger without really finding anything that works as well as a bare finger, but my bare finger gets all torn up if I don't have some protection.  I'm not happy with some wobbly lines and badly spaced lines but I'm going to press on, on the theory that a finished not-that-great quilt on the bed is better than an unfinished top hanging in the basement for eternity.  Although it may be eternity before the handquilting is done anyway.  Perhaps I will win the lottery and I can pay someone to take out my dodgy handquilting then have the top beautifully quilted by someone who knows what they are doing.

This week I completed the final kits from the Japanese dollshouse so they are all made up now. I suppose technically the house is 'finished' but it needs a lot of accessorising and I need to build the garden in front of it still.

This is the ryokan sign:

and this is the 'stone' garden lantern which I finished with some homemade textured paint and various layers of paint colour:

Otherwise this week I've been knitting on several ongoing projects, including the long-hibernating Leaf Yoke Sweater which is now almost finished. I don't really like it any more and the yarn is a bit scratchy so I'm not sure it's going to get worn but perhaps it will block out a bit softer.  Someone at my machine knitting club has given me a copy of a seamless teddy bear pattern so I might have a go at that as well just to see how it is done.

We visited a couple of garden centres today to see if anything was on sale at the end of the season, and scored a couple of flowering perennials.  I also picked up a couple of  Group 3 clematis for some late summer colour, and some vinca for the deep dry shade under the trees where nothing wants to grow.  I've started picking the biggest apples from our apple tree and made my first pie.  Most of the apples look pretty scabby, I forgot to spray last winter so I've made a note in my diary for this coming winter. Hopefully the apples will still be ok for pies even if they look unsightly. We successfully got through this year's pear glut: I gave some away to friends and made several pies and puddings with the remainder, unlike last year when we lost a lot to rot.

It's the in-laws Diamond wedding anniversary next week, imagine being with the same person for 60 years!  We had trouble finding a good card, we looked in three different shops and there were loads of 50th Golden anniversary cards but only a couple of 60th in each shop, I guess not so many people make it that far (or live that long?).  I ordered and collected  an oasis bouquet for the occasion in colours that I hope m-i-l will like, it has pretty diamond sparklers in it and diamonds on the card.