Lots of gluing

 Having finished cutting out (hopefully) all the pieces for my Double Wedding Ring, I turned my attention to my sewing table renovation project.  You may remember that it came like this:

Then I stripped it back to this:

An audit of the pieces that came with it revealed that I was missing about 8 small partitions, and a corner lid.  I found some scrap wood that was the same thickness as the existing partitions, and cut out 6 new pieces.  I decided that it would be more useful to have a longer, non-partitioned tray for tools so I am omitting two partitions.  The audit was also the time to reverse engineer how the top tray had been constructed and papered.  It was clear that most of the pieces were slightly different sizes even when they were the same type - I think everything had been hand-cut to go in a specific place.  I have of course lost the original order due to the poor state it arrived in followed by my stripping of the old paper.  I decided not to worry about it and just play it by eye as I went.

So this week I started carefully cutting my lovely Italian paper and covering all the main partitions.

The next big job was to cover the interior of the hanging workbasket which is in a trilobed shape with a flat front and back, so that was tricky and required lots of pattern making with scrap paper.  It was also a chance to get to know how the new Italian paper was going to behave: very well actually. It's strong enough that it doesn't tear easily even when wet with glue.  I'm using cartonnage techniques and the same PVA glue that I use for making boxes.  I don't seem to have taken any photos of the table at this point.  I also covered the base of the top tray.

Once all that was dry, I could start gluing in the partitions, starting with the outer walls and using the inner frame walls to judge where the partitions should be glued.

Then it was time for the corner partitions, then the inner beveled frame, and then finally the internal corners.  It's turned out pretty well, I quite pleased with it so far.

Next I need to install the lid supports - there are covered sections in all four corners, centre front and back, and of course the workbasket cover in the middle.  I need to cut out a replacement lid for the missing one, and the existing lids may need tweaking if my newly created compartments aren't quite the same size as the old ones.  All the lids need recovering: the lids are padded fabric on top and papered underneath.

So all of this gluing and cutting has been taking up most of my sewing room surfaces, but I did shove things to one side to finish off the Hatched and Patched Pincushion pattern that I bought in New Zealand and worked on at the last retreat back in January.  I've stuffed it with crushed walnut shells, it's quite large so it's like a fabric hockey puck.

I've been trying to put in some time on the longarm project every day, quilting the Australian BOM.  I'm on the last lap now, adding quilting to each individual block, which requires a lot of concentration so is quite tiring.  Plus the anxiety of not wanting to ruin it at this stage.

The border is a pantograph in the background, and ruler quilting in the scallops

A different narrow panto of rosebuds in the wider sashing segments

On individual blocks, I am stitching carefully around all 

the elements and then adding quilting to the background as it needs it.

In the evenings, I am finally working the final house in my Little Houses cross stitch sampler.  This has spent so much time parked at the sidelines while I work on other things, it will be good to finish it.

While I was looking for some autumnal quilts to hang up downstairs, I came across this old cushion cover that I made for my son about 15 years ago.  I used templates from a book of applique quilt designs and styled them to look like our two cats that we owned at the time.  Sadly both cats died from various health issues within a few years so this cushion turned into a sad reminder that had to be hidden away.  Now I'm wondering if DS might like it for his new house, if enough time has passed for it to just be a cute cat cushion.  I'll take it over there and see what he says.

Repetitive crafting

 I've spent some time most days this week cutting out quilt pieces for my Double Wedding Ring project.    I needed 128 corners, 80 melons, and now I'm cutting 768 'teeth' for the arcs.  It is quite tedious.  Also I ran out of background fabric that I bought in Wales, so my quilt will be 16 rings instead of 20, which is probably a good thing because it's going to be a lot of sewing.  I'm trying to split up the 768 teeth evenly across the colour families, so I've been pulling my stash of 30s repros and cutting 4-5 teeth from each print.  Mostly by cutting a 3x10" strip, then stacking those in six layers to subcut into teeth.  Lots of unfolding and refolding.

At least while I am cutting up fabric, I am putting my time to good use by re-listening to Youtube videos teaching Japanese from the Genki textbooks.  Because I'm going to Japan and also Korea next year as it turns out.  It came about rather suddenly, I came across one cultural tour that I liked the look of in Japan and put my name down for it, then I came across a second workshop course to sew a yukata in Tokyo.  The time period between the two tours spans Golden Week which is a long holiday period in Japan when it can be difficult to travel, so I am avoiding Golden Week by flying to South Korea where I am taking a third tour as well as doing a few days of independent travel.  So I've been trying to re-learn some Japanese as well as spending a lot of time researching and making travel bookings.  I'll be away for about 8 weeks again, DH is stoic and encouraged me to book up the tours.  I think we are both conscious of the physical wrecks that his elderly parents have become so I want to do it while I still can. And DH knows he can survive perfectly well on his own because he's already done it twice. In fact, it has encouraged him to learn to cook which he never wanted to do when he was younger, so that's good.

I finished another stitching project this week which is a gift so I can't discuss details.  And I've been putting in some time most days on the longarm frame where I am still quilting the Australian BOM quilt.  I've done all the borders and sashing now so am just starting to tackle the actual blocks which is the hardest part because it's a blank canvas.  I will stitch around the applique elements but then I need to come up with stuff to fill in the block backgrounds and I'm not much good at freehand quilting.  I'm loving using rulers though.  My Handiquilter Simply Sixteen is behaving very well, I'm very happy with my secondhand purchase and I feel like I am getting more confident with the machine.

Still downsizing - I've sold quite a few of my vintage needlework magazines this past week and have been to the post office three or four times with boxes.  Still quite a few to get rid of though.  I also sold and posted a set of quilt templates with accompanying patterns that I bought in 2012 and had never used.  It feels good to be getting stuff out of the house, it will be wonderful when all the big collections are gone but there is still a lot of work to do.

So I knit three and a half thumbs

 I finished my Latvian mittens this week and immediately found that the thumbs were two different sizes, with one being smaller in circumference than the other.  So I pulled out the smaller one, picked up stitches again, and started reknitting the thumb.  After knitting for a while, I eventually realised that the new thumb still didn't match the bigger thumb.  As I mentioned before, I am not very good at counting nor at arithmetic.  So it took me some time and pencil/paper figuring to work out that the bigger thumb wasn't right either and had too many stitches because I hadn't decreased correctly.  However, I liked how it felt, so I ripped out the second thumb again to start over a third time, purposefully decreasing incorrectly to match the big thumb.  Eventually I ended up with two matching mittens which are now blocking on the glove blockers I bought in Shetland last year. The mitten on the right is facing thumb upwards in the photo, thumbs should be invisibly pattern matched but mine isn't quite. I like how bright and colourful this traditional pattern is.  But if I knit any more Latvian mittens, I will try to find patterns that do NOT have four colours in a row because that was really slow and difficult for me to knit.

I forgot to blog last week that I also finished re-knitting my pink hat in New Zealand wool, the one that came out way too small.  I added another full repeat of the flower motif, and also stretched out the crown decreases by knitting a plain row between each decrease row.  It covers my ears now but is still fairly snug, hopefully it will loosen up with wear.

I've been working more this week on renovating the antique sewing table.  I replaced the missing veneer around the lower edge of the table - my patches are slightly thicker so not invisible but it still looks better with the gaps filled.  I did a dry fit of my partition pieces in the top tray, and it looks like I am missing one lid, and about eight partitions.  I've cut a couple of replacement partitions but I think I will leave one side open to create a longer tray, for tools and scissors, instead of partitioning it all up. I strengthened the hanging basket with some glued on cloth, as it was weakened by some splits in the wood.  So really the next big job is to start recovering all the partition pieces with the new paper, which rather intimidates me so I've been putting it off.

The McKinley dollshouse is slowly coming on, I've been working on the tower finishes this week.

When I got back from my last trip, DH presented me with the finished sumo diorama that he has made for me.  Earlier this year I had found some sumo figures as 3D files online, and had them professionally 3D printed.  DH has painted them all for me and even modelled a partial fighting ring for them to stand in.  He's done such a great job, they look so realistic considering they are only about an inch high.

We've started emptying the caravan out for the winter.  We are fair weather campers and the weather is getting too cold and wet for us now.  So we've brought a few loads back from the storage yard, and given the van a good wash and a winter exterior treatment. We had three nice weeks away in it this year which works out to a fair bit per night when you tot up all the annual expenses, but it is really nice to have your own 'home away from home' in the countryside instead of being stuck in a hotel room. We've explored several parts of the country that we probably wouldn't have visited otherwise, and done more walking than I ever do at home.  

and this week I'm pretending to be a furniture restorer

 Do you remember this little needlework table I picked up for a bargain price a few years ago? I was sitting on it for a while because I was warned the green Victorian paper inside could contain arsenic.  I eventually found a domestic arsenic test but had to wait until the external temperatures reached over 20C to conduct the test.  I did the test at the beginning of the summer and the results suggested there were traces of arsenic.

The inside was pretty knocked about, with a lot of loose pieces and flaking paper.

Anyway, I realised my window for scraping off poisonous paper outside in the garden while the weather wasn't too bad, was shrinking.  So this week I hauled it out and commenced the clean up.  A lot of the paper came off easily but after that I had to spray it with water to soften the (probably wheat) paste it had been applied with.  A lot of the partitions were loose so I just took everything out.  Eventually it looked liked this.  Hopefully I didn't onboard much arsenic during the process, I wore gloves.  I feel fine :)

There wasn't any feasible way to label things as I took them out, so it's going to be a bit of a puzzle to reassemble.  I've bought some lovely Italian replacement paper to recover the pieces - wish me luck.

Meanwhile I've taken the rest of the stand apart and given it a good clean in preparation for re-waxing.  There are some missing bits of veneer around the edge of the top, not sure if I will attempt to repair those or not.

I ended up stripping the top of the table because it had some really bad marks on it (one of the reasons it was a bargain I think).  I've not re-finished anything before  other than with wax, so let's hope I don't ruin it.

I dug out my collection of vintage linens and had a go at laying out the pink lace quilt design inspired by the art hanging I saw at Festival of Quilts.  They are all different shapes so it was hard to come up with a balanced design using the linens that are white in colour and in better shape. I started out trying to be symetrical but that didn't work.

Eventually I ignored symetry and just focused on filling in spaces evenly, which is more like how the artist did hers.  The final design is more like this although I don't think this was the final layout.

I pinned everything roughly in place and now it's in the sewing room waiting for the tedious part of stitching down all the linens so they don't shift, and don't wrinkle up horribly if I ever wash the quilt.  My linens collection is another thing that I want to downsize so it feels good to use up so many of the smaller pieces.

I finished knitting my own Scullery Cat this week, after giving away the first one to DS for his new house.  It is a bit bittersweet to have a knitted cat when we just lost our real one, but it's comforting to see it sitting there.

I have also finally knit the main body of the second Latvian mitten and have now started on the thumbs.

This week I sewed on the binding to my Giggleswick Mill quilt.  I don't think I blogged it, but when I washed the quilt, some of the fabrics ran and there are some bad stains.  Luckily they aren't too big, and they kind of blend in with the busy quilt top for the most part.  I've bought some Dylon colour run remover which I will test on some scrap fabric first but I suspect the stains will not shift as they are fairly deep.  Annoying after all the work I put into that quilt.

I've done a bit more on my Mckinley Dollshouse after not working on it for a few weeks due to travel and stuff.  It's slowly coming along.

Miniatura revisited

 DH kindly drove me to Miniatura today, one of the biggest dollshouse and miniatures shows in the UK.  I hadn't been since, I think, 2017.  It has moved to a new venue in the meantime and is now at Stoneleigh National Agricultural exhibition centre in a vast metal roofed hanger.

It felt very strange to be back at a minis show.  Despite currently building a dollshouse, miniatures has not been a very active hobby for me for probably 12 years now, since before we moved up to Northamptonshire. I feel quite out of touch with the minis world and who is doing what.  I saw a handful of traders that I recognised from back in the day, but there are so many new traders.  The smaller scales were heavily represented, especially 1:48 scale.  Laser cut miniatures were also very prevalent, I heard one furniture trader assuring a customer that he still cuts things out the old fashioned way with a fretsaw etc.  which made me smile.  I had a short chat with a trader couple that I knew from the past, they said the hobby has changed and in particular a lot of younger people are coming in to it - they attributed this to the TV miniatures shows that have been screened, and of course social media.  

However, the supplies I was particularly looking for were not to be found: roof shingles, plain stripwood, fretwork roof trim and some finials for the roof points - there was a very limited amount of DIY stuff available at the show.  I was also on the lookout for Arts & Crafts style furniture and again saw very little apart from a Jane Harrop kit for two chairs, and a £300 desk which was beautiful but out of my price range.  I wanted a bed for the master bedroom - there were no kits or undressed beds that I saw.  There were plenty of dressed beds, some of which I liked the frame but none of the bedlinen dressing appealed to me.  It was the 100th show so several traders were doing special gifts: I got a souvenir sanding board with the Jane Harrop kit, and a cute paper suitcase box for the handbag I bought (because it reminded me of Vendula handbags which I have collected in the past). I also did a charity mini-make to glue together a 100th anniversary mini totebag.  Art of Mini had a lovely 3D printed chair which looked like wicker in the painted sample, and will look nice in the tower alcove of my current dollshouse.  And I got some more Tacky Wax from Deluxe Materials.

I felt a bit depressed walking around the show.  I think it's a mixture of my own standards for scale and perfection having risen above my actual skills; and the thought of all the money I have tied up in minis I've bought over the years which I will eventually have to downsize and they are very hard to sell, much less get your money back, especially since most of mine are not expensive collector pieces.  A job for the future, I have so much else to de-hoard first.  Anyway, I saw lots of nice things and the weather was lovely so it was a nice morning out of the house.

This week I finished knitting the hat in New Zealand wool that I started in Iceland and continued in Wales.  Unfortunately it would probably fit a seven-year-old.

It fits around my head, quite snugly but I'm hoping it will relax when it's washed. But it was way too short, it was more like a skull cap.  So I pulled it back to the start of the decreases, knit an extra row of motifs, and I've started decreasing again - this time with extra rows so the top is wider.  Hopefully second time lucky.

I've finished stitching the Welsh quilted cushion and given it a wash to get the pencil lines out.  It looks ok, although not very intricate as it's a beginner design.  When it dries, I will iron it lightly and make it up into a cushion - possibly with piping although I'm not very good at piping.

On my way back from Wales, I had some time in Aberystwyth where I found this comprehensive book on Ribbon crafting for only £3.  I'm picturing adding some vintage style flower trims to some of my makes.  Although most of my ribbons are polyester craft ribbons, and they won't work as well, the book says you need soft natural ribbons such as silk.

As part of my ongoing decluttering, I pulled out the contents of my dollshouse room haberdashery cupboard which has been a disaster zone for several years, particularly since I inherited a friend's stash.  It was all alarmingly damp as well, I think I need to drill some airholes in that cupboard, the perils of having a room in the basement.  I went through the boxes to sort everything into categories: dozens of mini trims, ribbons, ricrac, laces, velvet cord, feathers, fringes; various packets of fabric; a bunch of leather pieces and scraps; material for bed linen and towels; carpet fabrics and all kinds of other stuff.  I threw out a bunch of stuff from my friend's stash that wasn't in scale, or was too thick, too stiff etc  This is all my hoard of stuff for doll dressmaking, upholstery, mini textiles etc.  All stuff that 30 years ago I thought I would be using to make things with and in fact almost never do.  I'm still trying to unravel the spaghetti junction of ribbons and trims - I've ordered some more small ziploc bags so I can separate them all so that they will be easier to use if I ever actually make things with them.

Cat update

Very sadly, this week we had to say goodbye to our cat Oreo.  The steroid tablets she was on for her cancer became ineffective, which the vet said is typical for that type of cancer.  There was nothing more to be done and she was becoming very unwell, so the kind thing to do was to let her go.  The house seems very empty without her and I keep thinking that I hear her moving about.  I don't think we will get another cat, it's just too painful when their time comes. 

Welsh quilting

 I'm in Lampeter, in mid-Wales, or as a local called it, 'the middle of nowhere'.  I'm here on a long-desired pilgrimage to the Welsh Quilt Centre, home to the best collection of Welsh quilts in the world.  It took me 6.5 hours on public transport to get here, which is why I havent been before.  I'd looked into it over the years but it was always too far and too hard.   Then the Centre closed in 2018 and I thought I had lost my chance.  But it reopened after COVID and earlier this year there was an article about the founder Jen Jones in Today's Quilter Magazine' which inspired me to plan a trip.  It's a long way to come, so when I found out that they were also offering a two-day welsh quilting course with famous handquilter Sandie Lush, it made sense to book a combined visit.

So I got home from Iceland Wednesday afternoon, said hello to my husband, swapped clothes to a different prepared suitcase and restocked consumables, and headed out again early Thursday morning for my trip on two trains then a bus.  I arrived in Lampeter in time to visit the Centre which is in the old Town Hall (currently having some work done on its front).  I immediately met Jen Jones behind the counter.  She was lovely and very welcoming, and I was handed over to the woman who designed the current exhibition and taken upstairs.

The exhibition was wonderful and made me regretful that I had missed previous years of the shows.  I was expecting the usual static display of quilts hung on walls but instead was greeted by a literal carousel of quilts revolving in the middle of the lofty room, and mini carousels of colourful wall quilts surrounding it.  The exhibition had a circus theme this year, and was beautifully curated for colour and design and so full of energy. In addition to wonderful quilts from Jen's collection, there were a large number of smaller Welsh quilts made by Mary Jenkins, author of books about the Welsh quilting tradition.  Mary avoids buying new quilting fabric and instead seeks out vintage textiles to recycle, Welsh fabrics such as wools and vintage Laura Ashley, home decor fabrics and more.  She obviously has a wonderful colour sense and her quilts were all so pleasing to the eye, colourful and warming.

One corner of the room was set up to resemble a corner from inside Mary's house, giving a sense of her eclectic vintage style.

All the quilts in the exhibition had information cards for more details about their provenance and/or inspiration.  It was a real pleasure to wander around the big room and gradually take it all in, the way it was hung was so much more interesting than usual displays or even the V&A show from years back.

In addition to the main room, there were two other smaller galleries.  One featured the work of an artist working in various mediums including embroidery, and the other was showing three videos including Jen talking about her collection, a timelapse film of a Welsh artist painting pictures that feature quilts, and Sandie Lush talking about Welsh quilting.

The gift shop is full of treasures including antiques, quilts, and textile related items.  The back room featured items made by Hannah Hughes from fragments of antique textiles, such as Welsh dolls, stuffed animals, cushions etc.  I bought a lovely little needlebook made from a fragment of antique welsh quilt with pages from vintage welsh woollen blankets and a new log cabin block on the cove.  In the front I found a wellworn small weaving shuttle with the wood polished to silk from use, and a bag of antique quilt fragments to make my own items from. I also bought one of Mary Jenkins books about Welsh quilting.

Lampeter's delights do not stop there.  Just a few doors along is the Calico Kate quilting shop, an amazing rabbit warren of 14 small rooms inside an old building.  Every room is full of fabric according to a theme: batiks, novelties, Moda, Tilda, Kaffe etc.  You think you are done and you find yet another room.  Just looking at all the fabric was dizzying, I kept seeing so many potential quilts flashing before my eyes.  I tried to stay strong but did come away with some fat quarters (four of them with designs that will make great dollhouse quilts), a cross stitch bookmark kit, and 4 meters of blue Moda background fabric for my double wedding ring quilt (I had already bought some Kona fabric but the Moda looked like a better blue colour). I was surprised that a smallish town had such a big fabric shop but apparently this area of Wales is very crafty, with several quilting and sewing groups around.

The Sandie Lush course was held over two days in a modern and well lit business centre just down the road from the Centre. We were very comfortable and there was also a well equipped kitchen.  Sandie is quite well known and sits comfortably with such authorities as Barbara Chainey and Amy Emms for handquilting in both the Welsh and Durham styles, and is a multiple award winner.  She was also quite a hoot and a very engaging teacher along with her husband (David?) who assisted with the class and on the IT side.  On the first day we were provided with a design kit of Welsh quilting elements that we could mix and match to create two cushion designs.  We then traced those onto our fabric (I was using some cotton sateen purchased at Calico Kate) and she demonstrated the rocking method of handquilting using a thimble both above and below.   I have handquilted items in the past and was able to do the rocking motion, but not with a thimble underneath (I just turn my lower hand's fingertips into calloused hamburger instead), but my stitches are nowhere near as even or as small as Sandie's.  Also I accidentally traced my pencil lines too dark so hopefully they will come out ok in the end.   Sandie has very generously made one of her videos about handquilting available on her Youtube channel, which gives a thorough introduction to the techniques.

On the second day, we received a comprehensive lecture about the typical designs of Welsh quilts, which in contrast to the frame structure of Durham quilts, tend to feature all over patterns made up of infinite combinations of simple elements with different fillings in them.  Sandie stepped through several quilt designs on screen, showing the effect of decisions that she made along the way, and then we saw the finished quilt.  I don't know if I would ever design a whole quilt but it was very interesting to learn more about the traditions.  The rest of the day could be stitching or designing as you chose.  I got about half my cushion done and my stitching is getting a little more regular after I switched to a Piecemakers size 10 Betweens needle.  I did try to use a thimble on my underneath hand but it just feels really unnatural to me, and its not mandatory.

My cushion so far

I enjoyed the course and met some nice people, and Lampeter itself is in a pretty situation in a green valley which seems so beautiful after the stark landscapes of Iceland.  I'll be heading home tomorrow to tackle two trips worth of laundry and to try to get caught up on things.  While I was in Iceland, my husband helped my son and his girlfriend make the move into their new house, so I need to go and see how they are getting on - the house looks transformed in photos after all their repainting and having new floor coverings installed.

Reykjavik

 It's Saturday and I arrived in Reykjavik on Wednesday, so I've had a few days to look around this small but cheerful city.  It is VERY touristy, as there has been an explosion in tourism over the last decade.  A lot of the central businesses are now directed at tourists, and my guidebook (Rick Steves) says that locals do most of their own shopping in malls and edge of town places.  But still, it doesn't feel overly busy or crowded, and the service staff are all quite friendly (many of them are also foreign nationals). The high prices for almost everything have been hard to get used to, especially food, but I've just stopped converting to British pounds to save my sanity.

On the busy shopping streets of Skolavordustigur (I'm not even going to try to reproduce the proper Icelandic spelling) and Laugavegur, almost every block has two or three souvenir shops and they are almost all selling some form of Icelandic knitting either as jumpers, hats, gloves, earwarmer headbands, socks, blankets or ornaments.  Many of these appear to be machine knitted, and I have heard that a lot of them are produced outside of Iceland even though most claim to be made from Icelandic wool. Many of them are in a nasty scratchy wool, knitted at a very loose tension (probably for speed, or to save money?) but I expect many of the potential customers are not knitters. Certainly lots of the tourists on the streets are wearing the jumpers and matching hats, even though the jumpers are priced at c £110 and up, hats about £30.  Some of the tourist stores are also selling balled yarn, although it was Garn brand from NOrway in at least a couple of stores. I havent seen any other forms of craft supplies or craft stores but perhaps these just aren't located in the central tourist area. It is refreshing to see knitting held  in such esteem as a desirable souvenir.  I havent seen as many cardigans on sale, although the Alafoss store (an Icelandic brand) did have some nice ones in terms of colour. I did buy a machine knit earwarmer band in an Icelandic pattern because it is quite windy here even on the days when it was warm enough that I didnt feel I

Cute mini sweaters but priced at c £25!

needed my actual hat. 

The recommended place to buy authentic Iceland jumpers is at one of the Icelandic Handknitting Association stores, and there is a big one on Skolavordustigur.  This is bigger than it looks from outside, and must have had literally hundreds of jumpers and cardigans on sale, presumably all handknit.  These felt a much better quality wool, and were also knit to a tighter better quality tension.  The prices are also higher to reflect the handwork and better quality, c £200 upwards. In the back room, they sell lots of yarn such as balled LettLopi yarn, and the flat wheels of unspun Lopi yarn that is combined and knit together as two or three strands for traditional knitting. They also stock a number of knitting books in both English and Icelandic with patterns and instructions for traditional and more contemporary knits. I was looking in one of these and it said that the diamond yoke sweater that is so iconic was actually only designed in the 1950s I think.

The Handknitting Association also sells some small kits for hats, and I was able to substitute my own choice of LettLopi yarn colours for the kit I chose. It will be a nice souvenir of Iceland.  (coincidentally, my holiday knitting in the evenings is a hat using some of the yarn I bought in New Zealand!).  I find Lopi yarn too scratchy to wear against my skin, and I would get too hot in an actual heavy jumper, but I will be fine with a hat.

Today I visited the Saturday Kolaportid fleamarket held indoors near the Old Harbour.  Several of the traders here were selling secondhand knitwear for less (c £80ish) but there was a real mix of the poor quality jumpers versus nicer jumpers probably knit by an actual person.  So it would be buyer beware. But there were also some stalls selling new, or newish, knits such as hats, socks and mittens which were better quality.