Having finished cutting out (hopefully) all the pieces for my Double Wedding Ring, I turned my attention to my sewing table renovation project. You may remember that it came like this:
Then I stripped it back to this:
An audit of the pieces that came with it revealed that I was missing about 8 small partitions, and a corner lid. I found some scrap wood that was the same thickness as the existing partitions, and cut out 6 new pieces. I decided that it would be more useful to have a longer, non-partitioned tray for tools so I am omitting two partitions. The audit was also the time to reverse engineer how the top tray had been constructed and papered. It was clear that most of the pieces were slightly different sizes even when they were the same type - I think everything had been hand-cut to go in a specific place. I have of course lost the original order due to the poor state it arrived in followed by my stripping of the old paper. I decided not to worry about it and just play it by eye as I went.
So this week I started carefully cutting my lovely Italian paper and covering all the main partitions.
Once all that was dry, I could start gluing in the partitions, starting with the outer walls and using the inner frame walls to judge where the partitions should be glued.
Then it was time for the corner partitions, then the inner beveled frame, and then finally the internal corners. It's turned out pretty well, I quite pleased with it so far.
Next I need to install the lid supports - there are covered sections in all four corners, centre front and back, and of course the workbasket cover in the middle. I need to cut out a replacement lid for the missing one, and the existing lids may need tweaking if my newly created compartments aren't quite the same size as the old ones. All the lids need recovering: the lids are padded fabric on top and papered underneath.
So all of this gluing and cutting has been taking up most of my sewing room surfaces, but I did shove things to one side to finish off the Hatched and Patched Pincushion pattern that I bought in New Zealand and worked on at the last retreat back in January. I've stuffed it with crushed walnut shells, it's quite large so it's like a fabric hockey puck.
I've been trying to put in some time on the longarm project every day, quilting the Australian BOM. I'm on the last lap now, adding quilting to each individual block, which requires a lot of concentration so is quite tiring. Plus the anxiety of not wanting to ruin it at this stage.
The border is a pantograph in the background, and ruler quilting in the scallops
A different narrow panto of rosebuds in the wider sashing segments
On individual blocks, I am stitching carefully around all
the elements and then adding quilting to the background as it needs it.
While I was looking for some autumnal quilts to hang up downstairs, I came across this old cushion cover that I made for my son about 15 years ago. I used templates from a book of applique quilt designs and styled them to look like our two cats that we owned at the time. Sadly both cats died from various health issues within a few years so this cushion turned into a sad reminder that had to be hidden away. Now I'm wondering if DS might like it for his new house, if enough time has passed for it to just be a cute cat cushion. I'll take it over there and see what he says.
1 comment:
What a fabulous job you are doing on the sewing box. I wouldn’t know where to start. All your work on doll houses and miniatures must have been a huge help. It will be such a beautiful piece when completed.
Post a Comment